Halt sunt li pui: Towards a Performance of the Chanson de Roland

Identifieur interne : 000D95 ( Main/Exploration ); précédent : 000D94; suivant : 000D96

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Halt sunt li pui: Towards a Performance of the Chanson de Roland

Auteurs : Paul Bracken

Source :

• Nottingham Medieval Studies [ 0078-2122 ] ; 2003-01.

RBID : ISTEX:BE6ABC378BDD5FE6393487B0FBD45309341F21AA

Descripteurs français

• Pascal (Inist)
  • Chanson de Roland, Chanson de geste, Epopée, France, Moyen Âge, Musique, Mélodie, Poésie lyrique, Représentation, Siècle 12, Voix.
• Wicri :
  • geographic : France.
  • topic : Musique.

English descriptors

• KwdEn :
  • Century 12, Chanson de Roland, Chanson de geste, Epic, France, Lyric poetry, Melody, Middle Ages, Music, Representation, Voice.
• Teeft :
  • Ancient practice, Ancient tradition, Anything other, Arabic theory, Art trans, Balkan, Balkan epic, Balkan tradition, Bracken, Caesura, Cambridge companion, Chanson, Chansonnier, Chansonnier repertory, Chansonniers, Chant, Chivalric, Chivalric class, Circumstantial evidence, Clear enunciation, Croisade albigeoise, Decasyllabic line, Different vocal timbre, Direct evidence, Double arch, Drone string, Dynamic variation, Early music, Epic repertory, Epic song, Epic tradition, European culture, Expugnatione lyxbonensi, Facial expression, Female voice, Field recording, First half, Fourth crusade, Fourth syllable, French epic, French language, French literature, French poetry, French song, Full tone, Full transcription, Further bibliography, Geste, Geste corpus, Geste melody, Geste tradition, Guillaume, Harmonia mundi, Harvard journal, Haut, Heike monogatari, Ibid, Instrumental accompaniment, Lais, Line ending, Little doubt, Ludus danielis, Lyric lais, Lyric poetry, Martin best medieval ensemble, Mcgee, Medieval, Medieval drama, Medieval europe, Medieval france, Medieval minstrel, Medieval music, Medieval singer, Medieval song, Medieval study, Medieval terminology, Medieval vocal music, Medieval woman, Melodic, Melodic formula, Melodic material, Melodic scale, Melodic strand, Melodic structure, Middle age, Modem, Musical evidence, Musical instrument, Musical notation, Musical performance, Musique arabe, Newton abbot, Occitan, Occitan literature, Olifant viii, Oral tradition, Passim, Paul bracken, Performance practice, Pierre bemac, Poetic hemistichs, Practical source, Putative model, Recent monograph, Recitation, Recitation formula, Recitation melody, Recitentur inepte, Repraesentationis adae, Roland, Second chain, Second half, Secular music, Secular musical practice, Secular song, Selective placement, Short note, Short phrase, Shorter line, Single note, Song accompaniment, Specific context, Strand corresponding, Strong regional accent, Swift anticipation, Syllabic quantity, Syllable, Text projection, Textual, Textual evidence, Textual structure, Textual syntax, Theoretical treatise, Thirteenth century, Timbre, Tonal focus, Trans, Transcription, Treatise, Tristan, Troubadour, Troubadour song, Twelfth century, Variant form, Vibrato, Vibrato ornament, Vocal delivery, Vocal style, Vocal timbre, Vols, Wide circulation, Word haut.

Url:

• https://api.istex.fr/ark:/67375/NDQ-76XVK5LN-J/fulltext.pdf

DOI: 10.1484/J.NMS.3.347

Affiliations:

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